Repulsion
![](https://dispatchesfromembers.com/wp-content/uploads/2022/10/Screenshot-2022-10-23-at-21.00.05-1024x565.png)
Polanski’s second feature, made on the murky shores of the Thames, begins quiescently with Catherine Deneuve’s iris. Even in the absence of colour, one makes out her milky green eyes staying fixed before a forced cut roils its sleep. There’s movement now – in all directions, rudderless in search of an object. It stops, without […]